Elements of the set revolve and unfold the opera managers’ office brims with framed art and period furnishings steps appear to lead the Phantom and Christine down to the underground lake and, perhaps most noticeably, a mirrored ballroom replaces the staircase in “Masquerade.” Those familiar with the show will spot the differences right away, as gone are the golden angels that once framed the stage, their opulence shrouded as patrons took their seats, and the chandelier is no longer cloaked center-stage.Īccording to stage manager Jovon Shuck, the shimmering new chandelier and more detailed sets are straight from the UK National Tour, where this reimagined production first took flight. ![]() While the story, much of the costuming and the score - aside from some orchestrations and the occasional lyric - are the same, the staging and sets are dramatically different. The same can be said of the national tour currently in residence at The Hobby Center of the Performing Arts. ![]() “Things have changed, Raoul,” says Christine Daaé to her suitor, the Vicomte de Chagny, early in the first act of The Phantom of the Opera.
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